- BUDDY EMMONS STEEL GUITAR PLAYER WITH DERBY ON HOW TO
- BUDDY EMMONS STEEL GUITAR PLAYER WITH DERBY ON FULL
Yeah, I could play a few hot licks, but they weren’t necessary most of the time.
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When I went to work for Faron Young in 1980 playing steel guitar he was a little unhappy with the job I was doing, and I didn’t know why, but after a few late night beers with the band on the bus I figured it out. Well, not perfect for me, because I wanted to hear something astounding, but as far as the overall show was presented – it was perfect. It was the most tasteful, minimalist performance I’d ever heard. I saw Buddy backing up Van Howard at the Midnight Jamboree and, man, I don’t know if was planned ahead of time or what, but you could barely notice Buddy unless you were listening for him, and believe me, I was. But, hey, remember how impressive the Texas Troubadours and the Buckaroos looked on stage?īuddy Charleton and Leon Rhodes could scare every musician in the place when it was their turn to do so on “Red Top” or “Honey Fingers”, but when then Ol’ Man stepped up to the mike they became sidemen again. Torn jeans might be part of the band uniform with some artists. (Where have you heard that before?) You should also probably look the part of a successful musician who’s part of the big show, and not stagger out on stage disheveled or drunk… Well, that part may be negotiable these days, what with casual Fridays and all. If you’ve got an artist gig you’re there to make the singer and the song sound good. So what you want to do is come up with a wicked cool signature lick and play it couple times and lay back for the rest of the song.
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Buddy and Jimmy Day played some of the most soulful and tasteful steel guitar intros, turnarounds and fills in the history of recorded music, but they never got in Ray’s way. Weldon Myrick played some amazing stuff on “I’ll Come Running”, and it most assuredly helped make the song the giant hit that it was, but he didn’t get in the way of Connie’s vocals. These days so many tracks are phoned in that much of the spontaneity is lost and you get ProTooled at the producer’s discretion and some of your hottest licks may end up in the trash. This concept is pretty important when you’re doing a session, if you want to keep on doing sessions, though not so much these days as it used to be when everyone recorded together, live. You’re not there to show everyone how many 16th notes you can cram into a bar.
BUDDY EMMONS STEEL GUITAR PLAYER WITH DERBY ON FULL
Realizing full well that Buddy Emmons had the gig a few years before I did, I was all anxious to to impress him and everyone else with my fancy licks, but as it turned out, “Raisin’ the Dickens” was my chance to show off, not “Another Bridge To Burn”.Īs a steel guitar player your main job is to make the singer and the song sound good. He also mentioned something about not playing over his vocals.
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He told me to watch him like a hawk, and to follow him no matter what happened, because sometimes the song would come to a fork, due to any number of vagaries or unforeseen developments, and if it did I should probably take it.
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BUDDY EMMONS STEEL GUITAR PLAYER WITH DERBY ON HOW TO
Little Jimmy Dickens taught me how to play steel guitar when I went to work for him in the late 70’s. The World’s Foremost Steel Guitarist and half the people at the show are there to see you back up Johnny Bush or Darrell McCall. A featured instrumentalist at a steel guitar show or similar function.ģ. Actually, it’s not all about you unless you’re:ġ.